Continuing my exploration last time here of the nature of editing, I’m back to write about a new adventure that extended editing into publishing. I’m an editor who became a publisher for my friend and fellow BACCA writer, Andrea Fisher Rowland.
More than a year ago, Andrea and I began to work together to get her poetry collection, Family Album, polished and published. After completing the final touches on the manuscript, we also put our heads together about a cover for the book. I gave her several choices to use as starting points, and she picked her favorite, from which I made a final cover. Over the months that we worked on Family Album, Andrea learned that, contrary to expectations, her illness had taken a turn, and that she would not be expected to live much longer. We doubled down, to make sure the poems were ready for publication as soon as possible.
I decided to offer Andrea a publishing deal. The “deal” was unconventional in several ways, and not a typical commercial publishing agreement. But as her friend, I knew how important it was to Andrea that her collection be available to the public, and I knew how to make it happen. Some years ago, I inherited a small music education publisher, which I still operate. I also published my own writer handbook, FLOAT, and through my business I have advised and assisted numerous authors who publish their own work independently. I figured these experiences qualified me to extend the offer to Andrea. Her delighted response told me I had made a good decision.
Then Andrea asked me to publish her novel, High Tide, as well. I was familiar with the first half of the story, because I’d been reading it section by section as Andrea sent it to BACCA for our monthly critiques. Time was not on our side, however, and the work of polishing the novel extended past its author’s lifetime. Dorene Fisher worked with Andrea during her final days to review the text line by line, and after Andrea’s passing, Dorene and I continued. The language of Andrea’s novel is exceptionally sensitive and poetic, so we editors focused on sustaining the author’s tone and light touch, while adjusting for chronological continuity. Happy byproducts of this effort include a new friendship for Dorene and me (thanks, Andrea!) and a lovely sense that Andrea has been in the room with us, cheering us on and providing guidance. BACCA writer Noelle Beverly did us the great honor of reading through the edited version and making important and useful suggestions, and both Noelle and Carolyn O’Neal provided extensive moral support.
Andrea died in June of this year, after holding Family Album in her hands. At her sister’s request, I also gave Andrea a version of High Tide, its cover inspired by her request for imagery of two swans in flight and a blue and gold color palette. As publisher, I also needed to tick the requisite legal boxes, turn the edited manuscript into a print-ready book, get ISBNs assigned, and complete the numerous other behind-the-scenes tasks that precede any publication. Now, after a summer of work, I expect to receive the first printed proof of High Tide any day now. Soon it will be out in the world, ready for its reading public.
Accordingly, we’ve put together two events to celebrate the publication of both of Andrea’s books. All are welcome to attend. My fellow BACCA writers play an essential role here, as well, since Noelle Beverly and Bethany Carlson Farris have each extended themselves to make these events possible, on Saturday morning, 7 December at Baine’s Books & Coffee (Scottsville, VA) and on Tuesday evening, 12 November at Renaissance School (Charlottesville, VA) respectively.
For details about both events, follow this link! Be sure to save the dates in your calendars. Both events promise to be warm, regardless of the outdoor temperatures.
With gratitude to Andrea for entrusting me with her work, to my co-editor and friend Dorene Fisher, to Andrea’s kind family, to BACCA for the warm support we have come to rely upon from one another, and to future readers everywhere, thank you, all.
— A M Carley writes fiction and nonfiction, and is a founding member of BACCA. Her company, Chenille Books, provides creative coaching and full-service editing to authors and other creative people. Decks of 52 FLOAT Cards for Writers are available from Baine’s Books in Scottsville and Appomattox, VA, at the Chenille Books website, and on Amazon. Anne’s writer handbook, FLOAT • Becoming Unstuck for Writers, is available for purchase at Central Virginia booksellers and on Amazon. #becomingunstuck