A Few Things I’ve Learned About Writing

Reflecting on recent lessons learned, I made this list of highlights, all to do with being a writer.

If…

• If the passive voice were to be used along with conditional or subjunctive or some such mood, and if I were to be given material from a client that happened to include such longwinded and painstakingly constructed language, it might be possible that, as the person being compensated for simplifying the client’s material so that a stranger to the topic might be able to comprehend it, I found myself reducing a lengthy sentence into one declarative statement of few words.

How long?

• Varying the sentence lengths in a long-form piece rocks.

Teacher, teacher!

• My clients and the writers in my writer group are excellent at teaching me how to improve my writing.

• Also, the fictional Emily Starr, protagonist of Lucy Maud Montgomery‘s trilogy, reminds me to keep at it. Emily’s writing career can be a great example of persistence and doggedness, traits that can get the work done, done well, and out the door.

I noticed three copies of my book, FLOAT • Becoming Unstuck for Writers, at a local bookshop last week.

Bookstores

• As rewarding as writing is for its own sake, it is also cool to see a book you wrote on the shelf of a local bookstore. [Hazard of visiting my books at the bookstore: Now I want to read all the other books on the shelf….]

• It’s also even cooler to be paid for books that sold off that shelf.

Funny

• Humor comes in lots of flavors and strengths. It’s often just the ticket (even in nonfunny writing).

An invitation, or a rebuke?

Joy

• Writing can be a pleasure, and a blank page an invitation. When it isn’t, it can be worthwhile to explore why that is. Sometimes even a small change can switch it back into something that feels OK or even good.

Connection

• Writers have a lot to learn from their readers. Sending out the completed book or story or article doesn’t need to be the end of a writer’s (one-sided) connection with readers. Some readers want to know more about – even get acquainted with – the author of that thing they enjoyed reading. And in non-creepy ways.

For me?

Gifts

• Beta readers are generous. When someone volunteers to read your new work before it’s released or published, and then gives you structured, useful feedback about it – that’s pretty much the ideal gift. At least for a writer. Well, online reviews are pretty wonderful, too, now that you mention it.

Like water

• A writer group can make a wannabe writer into a legit one. So can a writing coach. It’s like water on a stone. Slowly, over time, edges are delineated, and rough surfaces polished.

• There’s always more to learn.

— A M Carley writes fiction and nonfiction, and is a founding member of BACCA. Her company, Chenille Books, provides creative coaching and manuscript development services to authors. Her first nonfiction book, FLOAT • Becoming Unstuck for Writers, is available for purchase at Central Virginia booksellers and on Amazon. #becomingunstuck 

Becoming Unstuck for Writers Who Write about Becoming Unstuck

I recently published my first book. Well, the first book that I actually wrote. For work, I help authors get their books published on the regular. This was my own book though, which made the experience slightly different. Noting the differences between my experience of other people’s books and my own was meta enough, thank you, and yet there was a further complication.

fbuw-frontcoverv8-161118-4bowkerThe book I wrote is called FLOAT • Becoming Unstuck for Writers. Which presumes that I know a few things on the topic. That’s true. I’m glad to report that I still feel competent to have written it.  The difficulties came when the process of launching this book encountered, well, stuckness. You know, the stuff I’m supposed to know about extricating from.

Things Happen

I want to paint an accurate picture. And to be sure, wonderful things happened. Some great opportunities arose, surprising me with bounties of time (a client needed to postpone our work, due to a personal emergency) and space (a last-minute chance to hide out at a writer’s retreat one long weekend enabled me to put the finishing touches on the manuscript before sending it to the copyeditor). Beta readers were generous and attentive and incredibly helpful. I rejoiced. This was going to work out fine! Even with a full-time job, I was going to be able to stick to my production schedule and get this puppy out in October, as planned.

Then the copyeditor also had an emergency. It was a critically serious one, and needed to be honored. As long as it took for things to get back on an even keel, that’s how long the delay would be.

Politics

Then the US political environment took an unexpected turn and I found myself grappling with past trauma I had not expected to need to look at any more in this lifetime. Time, effort, and therapy were required to deal with the reawakened monsters in the shadows. As long as it was going to take, I realized, that’s how long the delay would be. No negotiation was possible with myself on this stuff. I needed to feel safe walking down the street again before becoming capable of glad-handing strangers about the merits of my new book.

Releasing the book in October simply wasn’t going to happen. OK. I readjusted my sights, and planned for early- to mid-November.

More Politics

Speaking of the US political scene, during that timeframe, the news reported that a candidate had won the national election. Suddenly, releasing a book about becoming unstuck felt ridiculously insufficient. And besides, who was going to want to buy such a thing? As if a craft book for writers was going to make a difference to anyone. More reflection, more therapy, more conversations with trusted friends. A growing sense emerged that we each need to focus on doing what we do well, as the best form of resistance, to become forces for positive change. I wrapped my brain around that notion and decided to publish as soon as possible.

Indie Publication and Amazon

Independent publishers like my company often rely on the combined forces of CreateSpace and Amazon Kindle Direct Publishing – both parts of the Amazon empire – to take the completed book files and turn them into paperbacks (CreateSpace) and Kindle-compatible ebooks (KDP). So when CreateSpace delayed my publication date, and KDP refused to accept my formatted ebook file, a great welling of frustration, a sense of stuckness, you might call it, once again invaded my happy plans for book launch. In neither case was it a serious problem. Eventually, the paperback did become available (there had been a backlog of orders at CreateSpace), and the ebook file was accepted (KDP had changed its web form, so I needed to re-start the ebook setup process).

Launch!

signing-at-wh-161204-p1040023

Four local authors: A M Carley (left) signs her book for Zack Bonnie (right) while Mary Buford Hitz and Bethany Carlson talk about publishing.

The book was available from Amazon by the last day of November, and I had plenty of copies on hand in time for my first book event, a soft-launch celebration as part of the twelve-author local writers holiday reception and signing at WriterHouse in Charlottesville, VA. And people bought copies of my book!

Instead of being bummed out that I missed my October launch date, I decided to focus on the New Year, and appeal to writers who need a boost so they start off January with energy and focus. I decided to offer a free course for writers who buy the book. That way, they can create their own accomplishments and a-ha moments during the first month of 2017.

Lessons Learned

What have I learned from these periods of stuckness?

  • Stuckness happens.
  • “Circumstances beyond our control” can be affected by our behavior and attitude, anyway.
  • Sometimes the schedule must change. Accepting that reality can create new opportunities.
  • Putting one foot in front of the other, being doggedly purposeful, will often see you through to completion of the next step.
  • There’s always a next step.

— A M Carley writes fiction and nonfiction, and is a founding member of BACCA. Her company, Chenille Books, provides creative coaching and book development services to authors. Her first nonfiction book, FLOAT • Becoming Unstuck for Writers, is available for purchase at Amazon and other booksellers. #becomingunstuck 

 

 

 

Becoming Unstuck for Writers – Two Tools

It happens to most everyone. From time to time, the words just aren’t there. You may have set aside time for writing, you may have a good idea, even a supply of your favorite food and beverages for writing. No matter. You’re just making false starts. It feels bad. You’re stuck.

Becoming unstuck is a topic I’ve given some thought to this year. My book-development clients face down stuckness now and then, as do my fellow BACCA writers, and, oh yeah, I do too. In fact, I’m writing a book about how writers can become unstuck.

Here, I offer you two tools – one larger, and one lower-impact, for your consideration, the next time you feel that stuckness in your vicinity.

The Big Idea

One of the tools I recommend is — dum – ta- dum – dum — The Deadline.

And not a fake deadline that only you need to pay attention to. For this to be effective and more likely to be resistance-proof, you need to set up a deadline where you’re responsible to others. A deliverable to a third party. A date certain. An event. That sort of thing.

Fake deadlines – for instance, putting an event in your Google calendar – can be persuaded to postpone themselves. Don’t ask me how I know this, but it’s super-easy to grab one of those quiet little fake deadlines and slide it over a day or two. Or month. The possibilities are limitless, really.

Courtesy Pixabay

Courtesy Pixabay

To make the deadline strategy work for you, do yourself a real favor. Make a plan with someone else, someone you respect. Make a solid promise to them. Did the odds just increase greatly that you’ll deliver something good, and on time?

Here’s a not-so-random illustration of how this can operate: I’d been planning and drafting this book for a while. And maybe I’d been sliding over my self-imposed soft deadline dates in my online calendar once or twice. No one would know the difference, I told myself….

Now, I’m leading a workshop on the topic next month at Andi Cumbo-Floyd‘s writer’s retreat in Virginia’s Blue Ridge mountains. And when I agreed in March to do this, I committed to having in hand a beta version of the book in time for a late-July event. See how that works? It’s simple and powerful. (And check out this retreat!)

The Littler Idea

Sometimes, all it takes is a walk around the block.

Do this for real, on ‘shank’s mare‘ (as my dad used to put it), or more virtually (standing up and stretching, your favorite deep breathing routine, a journaling break, and so on). A simple refreshing change brings you back to the same place, only it’s so barely recognizable that it has become a different place.

Ah, words don’t do justice to the beautiful simplicity of this concept. Check out the illustration to get a clearer idea of how brilliantly this can work.

(Courtesy MediaGiphy.com)

Here’s to becoming unstuck.

May all your stuckness be resolved. May you scratch your right ear and get on with your work.

— A M Carley writes fiction and nonfiction, and is a founding member of BACCA. Her company, Chenille Books, helps nonfiction authors develop their books. Her first nonfiction book, FLOAT: Becoming Unstuck for Writers, is forthcoming in 2016.

BACCA Literary Is At It Again

BACCA Literary just can’t stop organizing these mixers for writers. This time, it’s an evening session at Downtown Charlottesville, VA’s Central Library at 201 East Market Street, one block up from the Downtown Mall. (We’ve done ’em before, at the Virginia Festival of the Book, and the Virginia Writers Club Annual Symposium.)

Free Session! Free Parking!

Local writers are welcome to attend free of charge. Parking is validated for nearby garages, too!

Here’s the flyer that Reference Librarian Hayley Tompkins just sent us. She’ll be there on Wednesday, 7 October, 2015, at 7pm, to welcome participants to our session.

BACCA Literary welcomes area writers to a mixer on Wed 7 Oct 2015 at 7pm in downtown Charlottesville, VA

BACCA Literary welcomes writers to a get-acquainted mixer on Wed 7 Oct 2015 at 7pm in downtown Charlottesville, VA. The Central Library is at 201 East Market Street.

Arrive a few minutes early to get yourself situated!

We hope to see you there.

— Bethany, Carolyn, and Anne

BACCA’s Back! Virginia Festival of the Book 2015

BACCA Literary Is Back at VaBook!

Virginia Festival of the Book 2015Yes, we’re presenting again in 2015, and on PubDay – the best day of the entire festival. Uh-huh. (We’re a bit biased.)

Come spend Saturday morning with us in the James Monroe Room at the Omni Hotel in Downtown Charlottesville, Virginia. We start at 10am on Saturday, 21 March 2015. As I write this, there’s snow on the ground, but odds are overwhelmingly in favor of a charming spring day when you visit with us at the Virginia Festival of the Book.

What will we be doing this year?

Glad you asked. We’re coming to talk about writer groups – how to be in one, and how to find or create one.

When we did our session last time, we chatted with the Festival guests before and after our remarks about writer groups. It was a lot of fun, and good ideas came up. But there was something missing: More interaction with the Festival guests.

So, this time, we’re creating opportunities for Festival guests to meet one another and chat briefly, right in the middle of our session. Visitors to our session may possibly meet the future members of their new writer groups. And everyone will definitely have opportunities to learn more about writer groups, and what they can do to hone writerly and analytical skills. And cat-herding skills. Okay, maybe not that last one.

Where is The James Monroe Room at the Omni?

It’s easy to get to. From the hotel’s central atrium, turn toward the ballrooms. Catty-corner to the last ballroom entrance is our room, The James Monroe.

Map showing BACCA session

Shy, Introverted, Both?

Arrgh. So are some of us.

I know, I know. A Festival session with “activities.” The blurb for our session actually includes these words: “BACCA will guide Festival-goers in a fun and educational, hands-on mixer that will break the ice and start the process of building a writing community.”

It’s enough to make you run for the hills, isn’t it? Reconsider, please. Get an extroverted writerly friend to join you, and come join us. We’re gentle, promise. You might enjoy yourself. We look friendly, right?

The members of BACCA Literary

BACCA Literary Founding Members: Carolyn O’Neal, AM Carley, Bethany Joy Carlson, and Claire Elizabeth Cameron, after planning BACCA Literary’s 2015 VaBook session.

— A M Carley writes fiction and nonfiction, and is a founding member of BACCA. Her company, Chenille Books, helps nonfiction authors get their books completed, polished, and out into the world.

Variations on a Theme – A M Carley Interviews Elizabeth SaFleur Part Two

a red rose

Elizabeth SaFleur’s avatar is a red rose

The erotic romance writer ‘Elizabeth SaFleur‘ and I sat down this spring. Although we have been acquainted for years, we discovered something new in common – we each are active in a writer group. Elizabeth agreed to answer my questions, which I emailed to her, about how the “cp’s” (critique partners) in her writer’s posse operate. The group differs in many ways from what I’m used to as a writer in BACCA. And yet, both Elizabeth and I benefit greatly from our groups. Just goes to show!

In this, this second part of the interview, Elizabeth shows how crucial the message ‘stop futzing’ can be, explains what to do when all the members of your group use pseudonyms, and looks at the valuable contributions the other writers have made to her progress. In the first half of our interview, we learned how these critique partners began working together, discussed how they exchange work, and discovered the title of Elizabeth’s very first novel (written at age seven). 

AMC  You write under a pseudonym. How has that affected your relationships with the other writers in your group? Have you met face to face? Do you know one another’s real names? Do you think this has an effect on your sense of security in the group? Did you all agree to protect the confidentiality of the group – “What happens in Vegas…” sort of deal?

ESF  I know two of them by their real names. And, a third by her pseudonym only. After about six months, I told them my real name. But, basically we call each other by our pseudonyms just to ensure the anonymity “sticks.”

These writers know what’s at stake, and have to deal with it in their own lives. So I feel 100% safe with them.

In the beginning, we talked a lot about security and privacy. So, it’s been pretty well-drilled that we would never “out” anyone in this group to anyone outside the group. I feel very secure in this group. In fact, they probably understand where I’m coming from regarding anonymity more than my “real life” friends. These writers know what’s at stake, and have to deal with it in their own lives. So I feel 100% safe with these fellow writers.

I’ll meet two of the cps [critique partners] for the first time face-to-face this summer at a romance writer’s conference. I can hardly wait, as I am quite invested in their work and success, and count them as friends.

AMC  What are the ground rules? Do you have guidelines about how to critique, how you structure your comments, how critical to be, etc.? Or have you collectively found your way with these matters? Do you write up formal critiques, or is it more conversational?

ESF  We have no ground rules, except perhaps this: What will make the work better? As I mentioned, we’re self-policed. Generally, we ask each other where we want input – developmentally, line-edits, just another set of eyes, etc. Each person has a unique perspective. For instance, one of our members is a professional editor and published author of sci-fi/fantasy erotic romance. Another writes regency erotic romance as well as contemporary erotica. All three of them are actually published (or it’s imminent). So, I count myself lucky to be working with them.

We have no ground rules, except perhaps this: What will make the work better?

AMC  Is someone the leader, or is it more collaborative? Do you change leadership/administrative roles from time to time?

ESF  There’s no leader, per se. It’s collaborative, where each person contributes where they can. Each one of us has unique contributions to make, not just in the writing craft and critiquing, but in publishing, marketing, social media and all the other things that go along with trying to write books that someone will actually buy. We share the “knowledge wealth” whenever we can.

AMC  Does the group want or have a public identity, collectively?

ESF  Other than calling us the “writerly posse” there’s no name or identity.

We’re completely informal. It doesn’t work like a normal writer’s group, but rather more like four people who thank the stars we found each other.

AMC  Has anyone ever missed a meeting? Not submitted work when it was due? How does that work?

ESF  Since we don’t have meetings, no one’s missed any. LOL Again, we’re completely informal. It doesn’t work like a normal writer’s group, but rather more like four people who thank the stars we found each other. Given what we write (steamy romance), it’s important for writers who see our work, first, not blush from head to toe and, second, understand what we’re trying to do. Not everyone “appreciates” our genre.

AMC  If you could change anything about your writer group as it is now, what would you change?

ESF  If there is anything I could change about my writing life – or this group — is that I’d be engaged full-time. I hope to get there next year. But, in the meantime, I wish I had more time – time to write, time to critique, time to just chat with these authors more.

I wrote my first novel when I was seven: The Mystery of the Bunny. Oh, yeah, a real bestseller!

AMC  Has being in the writer group affected your writing life? Have things happened with your writing career that might not have, otherwise?

ESF  After reading a new opening chapter of one of my books, one of my cps ended her email critique with this line: Now finish the book! There is a strong emphasis in our group to complete the novel. That’s one of the greatest gifts this writing group has given me. I’d still be futzing with the first 50 pages of Lovely – three years later – if this little band of writers hadn’t told me to STOP FUTZING!

Albercht Durer's 'Young Hare"

Does This Bunny Look Mysterious?

AMC  What are the next steps for you in your writing career?

ESF  Later this year I have a short story coming out in a Christmas anthology through Troll River Publications. My first novel, Lovely, is being reviewed by a publisher. Then I have four more books started and plotted in the series. If everything goes as planned, Lovely will be out in January 2015, with the other four novels published thereafter, spaced six weeks apart. After that? Well, I have an idea for a dystopian “vanilla” romance. There is no shortage of ideas! Just time…

AMC  Anything else before we close?

ESF  Thank you for the interview. It was fun to share the immense contributions my writers posse has made to me and my writing. I only hope I’ve adequately returned the favor to them.

Feel free to drop me a line anytime, too. I can be reached through my site or on Twitter @ElizaLoveStory. Happy writing and reading everyone!

AMC  Elizabeth, thanks so much.

— A M Carley is a founding member of BACCA and provides author services at her company, Chenille Books.