The erotic romance writer ‘Elizabeth SaFleur‘ and I sat down this spring. Although we have been acquainted for years, we discovered something new in common – we each are active in a writer group. Elizabeth agreed to answer my questions, which I emailed to her, about how the “cp’s” (critique partners) in her writer’s posse operate. The group differs in many ways from what I’m used to as a writer in BACCA. And yet, both Elizabeth and I benefit greatly from our groups. Just goes to show!
In this, this second part of the interview, Elizabeth shows how crucial the message ‘stop futzing’ can be, explains what to do when all the members of your group use pseudonyms, and looks at the valuable contributions the other writers have made to her progress. In the first half of our interview, we learned how these critique partners began working together, discussed how they exchange work, and discovered the title of Elizabeth’s very first novel (written at age seven).
AMC You write under a pseudonym. How has that affected your relationships with the other writers in your group? Have you met face to face? Do you know one another’s real names? Do you think this has an effect on your sense of security in the group? Did you all agree to protect the confidentiality of the group – “What happens in Vegas…” sort of deal?
ESF I know two of them by their real names. And, a third by her pseudonym only. After about six months, I told them my real name. But, basically we call each other by our pseudonyms just to ensure the anonymity “sticks.”
These writers know what’s at stake, and have to deal with it in their own lives. So I feel 100% safe with them.
In the beginning, we talked a lot about security and privacy. So, it’s been pretty well-drilled that we would never “out” anyone in this group to anyone outside the group. I feel very secure in this group. In fact, they probably understand where I’m coming from regarding anonymity more than my “real life” friends. These writers know what’s at stake, and have to deal with it in their own lives. So I feel 100% safe with these fellow writers.
I’ll meet two of the cps [critique partners] for the first time face-to-face this summer at a romance writer’s conference. I can hardly wait, as I am quite invested in their work and success, and count them as friends.
AMC What are the ground rules? Do you have guidelines about how to critique, how you structure your comments, how critical to be, etc.? Or have you collectively found your way with these matters? Do you write up formal critiques, or is it more conversational?
ESF We have no ground rules, except perhaps this: What will make the work better? As I mentioned, we’re self-policed. Generally, we ask each other where we want input – developmentally, line-edits, just another set of eyes, etc. Each person has a unique perspective. For instance, one of our members is a professional editor and published author of sci-fi/fantasy erotic romance. Another writes regency erotic romance as well as contemporary erotica. All three of them are actually published (or it’s imminent). So, I count myself lucky to be working with them.
We have no ground rules, except perhaps this: What will make the work better?
AMC Is someone the leader, or is it more collaborative? Do you change leadership/administrative roles from time to time?
ESF There’s no leader, per se. It’s collaborative, where each person contributes where they can. Each one of us has unique contributions to make, not just in the writing craft and critiquing, but in publishing, marketing, social media and all the other things that go along with trying to write books that someone will actually buy. We share the “knowledge wealth” whenever we can.
AMC Does the group want or have a public identity, collectively?
ESF Other than calling us the “writerly posse” there’s no name or identity.
We’re completely informal. It doesn’t work like a normal writer’s group, but rather more like four people who thank the stars we found each other.
AMC Has anyone ever missed a meeting? Not submitted work when it was due? How does that work?
ESF Since we don’t have meetings, no one’s missed any. LOL Again, we’re completely informal. It doesn’t work like a normal writer’s group, but rather more like four people who thank the stars we found each other. Given what we write (steamy romance), it’s important for writers who see our work, first, not blush from head to toe and, second, understand what we’re trying to do. Not everyone “appreciates” our genre.
AMC If you could change anything about your writer group as it is now, what would you change?
ESF If there is anything I could change about my writing life – or this group — is that I’d be engaged full-time. I hope to get there next year. But, in the meantime, I wish I had more time – time to write, time to critique, time to just chat with these authors more.
I wrote my first novel when I was seven: The Mystery of the Bunny. Oh, yeah, a real bestseller!
AMC Has being in the writer group affected your writing life? Have things happened with your writing career that might not have, otherwise?
ESF After reading a new opening chapter of one of my books, one of my cps ended her email critique with this line: Now finish the book! There is a strong emphasis in our group to complete the novel. That’s one of the greatest gifts this writing group has given me. I’d still be futzing with the first 50 pages of Lovely – three years later – if this little band of writers hadn’t told me to STOP FUTZING!
AMC What are the next steps for you in your writing career?
ESF Later this year I have a short story coming out in a Christmas anthology through Troll River Publications. My first novel, Lovely, is being reviewed by a publisher. Then I have four more books started and plotted in the series. If everything goes as planned, Lovely will be out in January 2015, with the other four novels published thereafter, spaced six weeks apart. After that? Well, I have an idea for a dystopian “vanilla” romance. There is no shortage of ideas! Just time…
AMC Anything else before we close?
ESF Thank you for the interview. It was fun to share the immense contributions my writers posse has made to me and my writing. I only hope I’ve adequately returned the favor to them.
Feel free to drop me a line anytime, too. I can be reached through my site or on Twitter @ElizaLoveStory. Happy writing and reading everyone!
AMC Elizabeth, thanks so much.
— A M Carley is a founding member of BACCA and provides author services at her company, Chenille Books.
3 replies on “Variations on a Theme – A M Carley Interviews Elizabeth SaFleur Part Two”
Amazing how many connections have happened through ERWA. I met my two regular crit partners there. The amazing thing to me is my partners write BDSM. I am nearly useless to them but they carry me along anyhow, mostly for encouragement I guess.
[…] they exchange work, and reveals the title of her very first novel (written at age seven).The second part of the interview discusses how crucial the message ‘stop futzing’ can be, explains what to do when all the […]
[…] they exchange work, and reveals the title of her very first novel (written at age seven). The second part of the interview discusses how crucial the message ‘stop futzing’ can be, explains what to do when all […]